Archive for the ‘ Woodworking ’ Category

## Notes on the Schwarz Folding Bookstand

In June 2018 Popular Woodworking published an article written by Christopher Schwarz on making a small bookstand. It folds up into a neat package about 7″x3″x2″. The PW article shows the stand folded and unfolded, but doesn’t really show how it works. Several people including me, complained to PW about the lack of detail. PW responded by posting the entire article along with a short video of the bookstand folding and unfolding on their web log. Schwarz covers the construction well in the article. I will not repeat his details here but will write about the methods and tools I used, plus some minor changes in the design.

I had four slabs of walnut that used to be engraved commemorative plaques. They are 10″x14″ and about 11/16″ thick after I planed off all the text. There is a 3/8″ cove on all four edges and keyhole hanger slots cut in the back.

Rescued Commemorative plaque

Could I salvage enough wood from one of these to make a bookstand? Of course! Could I salvage enough to make two bookstands? Probably. Could I stretch it to three?  Maybe. The first plaque I cut up did yield three bookstands but I had to glue cutoff scraps together in several places. Nevertheless, it worked and I gained a lot of understanding of what needed to be done. I proceeded to cut up a second slab after thinking through a more detailed cut plan. So if you have a 10×14 slab of walnut maybe you can use this:

Cut Plan for the Plaque

Most of the PW project is based on sticks 7/8″ wide and 3/16″ thick. The article specifies 7″ length, mine have to be a little bit shorter, 6 5/8″ because of the cove. My table saw is currently equipped with a Diablo 7 1/4″ finish blade that makes a very thin kerf, just over a sixteenth.  I can cut a 7/8″ strip from the plaque then resaw that into two 3/16″ sticks with a little bit left over, or into a 3/8″ thick piece plus one 3/16″ stick. The back has some kind of finish that I planed off after the board was sliced up.

One section of the my cut plan produced a 3 1/2″ wide slab that I resawed into a 3/8″ and a 3/16″ section. The 3/8″ thick component was cut into six 1 1/8″ ledge parts, while the 3/16″ part made eight of the outside rail/stile sticks. For three bookstands I needed six ledges and 18 rail/stile sticks. Six shorter rail sticks form the foot and prop parts. The center frames consumed six 3/8″x7/8″x1″ blocks and six 3/8″x7/16″x6 5/8″ pieces for the frame stiles. I had to glue plugs and patches into some of the keyhole slots but I made it.

Three Bookstand Kits

Initially, I made the inner frame slightly wide. I cut the two inside stiles oversize then set the final dimension by laying down two of the 7/8″ wide sticks with a thin coffee stirrer in between, marking the glued up frame to that width. The approximately 1/16″ space down the center assures room for the stand to fold completely. Gluing up the center frame was difficult. I could not keep the one inch stiles from sliding around when I applied clamps. The wads of rubber bands you can see in the above photo helped, allowing me to position the four components, then apply larger clamps when the glue began to set up.

Constructing the first group of bookstands pointed out issues with the bottom rails. Schwarz shapes the bottom of the center frame as a half circle with a full 7/8″ radius. This brings the trimmed edge very close to the lower rivet counterbores and I had a couple of those break out while setting a rivet. My second batch of bookstands has a 7/16″ radius on each bottom corner, leaving more meat in that area.

Also I decided that bottom rails don’t need full half circle rounding. They are glued to the flat surface of the ledge, so these rails only need a radius on the top inside corner.

Bookstand Glued Assemblies

While finishing the first batch of stands the glue joint broke between a bottom rail and ledge on three occasions. The problem is if one of the bottom rails is rotated past it’s normal open position, the ledge will contact the inner frame and put a lot of stress on the glue joint. So on the first three I redid the glue and put nails through the bottom rail into the ledge to reinforce that point. My revised design with the bottom rails only half rounded will hopefully reduce or eliminate that weak point.

Danger With Only One Side Unfolded

All the rails and stiles need counterbored holes for the rivets. Accuracy of these holes, centered, and 7/16″ from the end is important to the finished stand folding smoothly. I built the specified fixture but not wanting to spend 20 on the counterbore bit Schwarz had, I dusted off a technique used in previous projects. Some router bits will make a flat bottomed hole. I used the 3/8″ keyhole bit seen in the middle of this photo. A spiral upcut bit would probably work as well. Some of the counterbores came out slightly off center when I used the router bit alone so I think the best procedure is: 1. Start all holes with a 1/16″ pilot bit 2. Mark all roundovers with a compass. Compass point fits nicely in the pilot hole 3. Start all the counterbores about 1/16″ deep with a 3/8″ Forstner bit 4. Change to the router bit and flatten the counterbore bottom 5. Drill the pilot hole out to 9/64″ The Forstner hole will guide the pilotless router bit. Note that the top rail has holes on both ends, and its counterbores are on opposite sides. You only need to counterbore to about half the 3/16″ thickness to hide the rivets. Fixture for Drilling Outside Rails and Stiles Once the round overs are marked, they can be cut out. I used a disc sander for the first batch of bookstands, but the second set of three I pared to the line with a sharp chisel and refined with a sanding block. It was just as fast as the disc sander. This picture shows some of the marked round overs. Note – top and bottom pairs here are for bottom rails and have only one corner marked. Ends Marked for Rounding You have to glue the ledge to the bottom rail. Note – the counterbore goes on the back of the rail, and the whole thing has to be kept square. I used leftover 7/8″ bits of wood to support the front of the ledge while fussing the bottom rail flat against the ledge while gradually tightening the clamps. I’m using Old Brown LHG so it will be easier to fix if I mess up. Here are two glue ups in progress. Ledge and Bottom Rail Glue Up While the bottom rail glue was setting up, I drilled rivet holes in the center frames. To mark the positions I fitted a 9/64″ transfer punch into one of the rails. Then holding the frame and the rail tight to a square, tapped the punch down. I then used the drill press to make 3/8″ counterbores with a Forstner bit and ran a 9/64″ bit through for the rivets. Note – on the center frame the counterbores are on the front at bottom and on the rear at the top. Second note – If you screw this up you can make a patch from one of the thin scraps using a 3/8″ plug cutter DAMHIKT. This photo also shows the center foot pieces in which I have pre drilled pockets based on spacing learned from the first batch of stands, 1 inch, two inches and three inches up from the bottom. Marking for Frame Drilling Hinges for the foot and prop that support the unfolded bookstands need to be created. I used 4 penny finishing nails instead of the 6 penny Schwarz specified in the article. This gives a little more leeway when drilling through the pivoting part. First the holes have to be laid out. I have a gauge set to exactly half the foot thickness, and scratch the pin locations from the face on both sides of the frame. Drilling halfway from each side reduces the chance of a misalignment. Mark for drilling with an awl in the gauge scratch 3/16″ from the inside edge of the center frame rail. The prop and foot must be firmly held in position while drilling for the pins. The foot goes on the rear of the frame against the bottom frame rail. The prop is hinged on the front of the frame against the top rail. I put a spacer cut from a playing card between the parts and the frame rails which gives some clearance for the part to swing open. Tape the whole thing together. Holding Foot and Prop Prior to Drilling for Hinge Pin I carefully checked that the drill press table was square to the quill. Then mounted the taped up frame in a vise and pushed a 1/16″ hole halfway through the foot and prop from both sides of the frame. Drilling for Hinge Pins Next removed the 1/16″ pilot bit and replace with a 7/64″. Made 1/8″ deep counterbores on one frame stile only. This allows for the finish nail head to be sunk below the surface. Hinge Pin Counterbore The final hinge step is to cut the head off one of the 4 penny nails and chuck that up in the drill press. Remove the foot and prop from the center frame and use the cut off nail to ream the hole made by the pilot bit. Also ream the two holes in the counterbored side of the frame. Cut the taper in the prop stick. I just hogged off the wood with a chisel. Dry fit the foot and prop in the frame but don’t drive the nails in until satisfied with how they unfold. I had to chamfer the foot and prop edges above the pins to get satisfactory unfolding. With all the parts drilled I could do a dry fit checking for interference between the moving parts. A few spots needed tuning with sandpaper or a block plane. Successful Dry Fit Each bookstand will get two layers of Watco Natural before assembly. After the rivets are installed, I will apply one more coat of Watco and finally paste wax. Three Stands Drying Rivets. I had no experience with copper rivets prior to this project. Schwarz says they are easy and they were for the most part. I bought 75 Tandy rivets on Amazon, the PW article listed a source for a pound which would make a hundred bookstands but I only need about four for next Christmas. I think it looks better, by the way, if all the rivets face the same direction. Now I watched my father set rivets in sickle bar mower blades a hundred times but I could never do it right. They are normally swedged with the round end of a ball pein hammer, but because in this project the rivets are recessed, you need a tool. Schwarz used a type of nail set which I’ve never seen to reach into the counterbores. I made a punch tool from the sawed off end of an auger bit by hollowing the flat end slightly with a Dremel grinder. The hollow helps to keep the punch from sliding off. Homemade Rivet Setting Tool First you have to drive the burr washer down on the rivet shank. I tried two methods, both worked. The first, as shown in the article, is drilling a 9/64″ hole up the center of a hardwood dowel rod to make a setting tool. The second method uses the drill press quill to force the washer down. In the photo below left, a short piece of tubing supports the head of the rivet. The chuck is adjusted to slide loosely on the #12 rivet shank. It takes quite a bit of force to get the burr started. Note – there are lots of Youtube videos on setting copper rivets. Set Burr With Drill Press or Dowel When the burr is firmly seated, I cut off the excess rivet shank above the surface of the wood with a pair of tile nippers left over from a long ago bathroom project. Biting the copper part way from two or three directions distorts the shank less. Cut Rivet to Length I flatten the cut off shank flush with the wood surface with a rotary file bit. Trim Rivet Flush With Surface The PW article shows the parts being joined lying on a steel plate while the rivet is swedged. I don’t like that because the rivet head sits loosely in a counterbore, and just using a flat plate as an anvil will make the joint loose. I made an anvil from a steel rod that fits inside the counterbore, clamped that in my bench vise with the bottom end resting on one of the big guide rods. Then I support the other end of the assembly at the appropriate height with a wood block clamped in a small vise. Swedging First Rivet I tap the concave punch holding it at a slight angle, then move the tool to a different spot. I’m trying not to hit the rivet directly in line with the shank as that may swell the whole shank. This isn’t leather, it will split the wood DAMHIKT. Just gently form the sides until the burr washer is evenly captured and the mushroomed over part is below the surface of the wood. Swedged Copper Rivets I fastened first the top rails to the outside stiles. Next attached the top rails to the center frame. Finally attached the bottom rail and ledge to the frame, constantly checking that the parts didn’t interfere when folded and unfolded. It’s much easier to remove a bit of wood before the rivets are set. And the pre-applied finish needs to be completely cured or the parts may stick together – another DAMHIKT. Swedging Last Rivet Six rivets done and time to test the unfolded bookstand. Assembled Bookstand Unfolded A final coat of oil is optional, but paste wax protects the finish and shines it up. Merry Christmas to my three sisters, hope they don’t see this before December 25. #### Update July 11, 2018 One of the stands in this final batch somehow got the foot and the prop reversed i.e. prop was hinged on the rear face of the frame and the foot hinged on the front face. In this condition you can’t unfold the foot to the rear as it is longer than the prop. I redrilled for the hinge pins at the correct position and in the process broke the glue joint on one of the ledges. Maybe OBG isn’t all it is advertised to be. So I am now nailing the ledges to the bottom stiles. Thats nailing into the edge of a 3/16″ thick bit of hardwood with a very small wire nail. You must pilot drill for it. A cut off brad was not long enough to act as a pilot so I used a wire cut off a stiff paper clip as a drill bit which worked well in the drill press. I sunk only one nail near the stress point by the rivet. A number 2 screw would be better but I couldn’t find any long enough. Here is a family photo of the final three bookstands. Three Folding Bookstands Advertisements ## More Sliding Lid Boxes – Hexagons I had good success last year making simple sliding lid pencil boxes for the Dupage Woodworkers Club. My construction method is documented in this Weblog post. This spring I adapted the method and jigs to produce six sided boxes. The hexagonal box construction is very similar to the earlier rectangular pencil boxes so please refer to that post for details. Here I will describe the few differences. Obviously there are two more side pieces to deal with. That’s the bad news. The good news is they are all the same length so the spacer is not required. I expected the glue up to be a big problem with the additional surfaces but with slow setting Old Brown liquid hide glue it hasn’t been an issue. There are two handle pieces to cut instead of one, and making the hexagonal lid plates is more complicated. First, the math. The hexagonal lid plates are made from rectangular blanks. The length of the rectangular blank is the width divided by cosine of 30 degrees. To find the length of the side pieces, take half the lid blank width, add the thickness of the side stock, subtract 1/8″, then divide by the cosine of 30 degrees. Trust me, it works. I’m using a Diablo 7 1/4″ 40 tooth finishing blade now, it cuts a very narrow kerf. I modified my regular cross cut sled to cut the lid hexagons. There is a batten tacked to the sled to establish the 30 degree angle. Actually it worked better to measure 150 degrees from the fence face on the obtuse side of the batten. This angle is critical. Next I added a movable stop to position the rectangular blank at the correct spot. Hex Lid Jig Stop Down The stop has a hinged end, as I quickly found the small triangular cutoffs would catch on the saw blade and be launched into low earth orbit. Raising the stop lets the cutoff fall free. Hex Lid Jig Stop Raised The movable stop has to be calibrated to match the lid stock. I draw the hexagon onto one of the blanks then the long side of the rectangle is placed against the batten with the corner touching the stop. The stop is tweaked until the blade cuts on the line. I cut the marked blank half way to see how it’s going, then loosen the stop screws and adjust. Once the stop is calibrated it’s simply rotating a rectangular blank until the four edges are cut off. I made a you tube video of the jig cutting a hexagon. It’s the best way to see what’s going on. Here’s enough lids to make sixteen boxes. It goes very quickly. Completed Hexagonal Lids Cutting the six side pieces requires a dedicated cross cut sled with the blade set at 30 degrees off vertical (60 degrees from the saw table). I use an adjustable flip stop as described in the sliding lid box post. There is a note at the end of the pencil box post for Doug Stowe’s method that does not require the stop to flip up. 30 Degree Crosscut Sled To calibrate the stop, make the first bevel by raising the stop and bringing the stock in from the left with face side up. Note if you have a saw with a right tilt blade, these directions will be reversed. Side Jig First Cut Measure and mark the side length on the stock then with the stock on the right side, carefully place the mark right at the saw kerf in the sled fence. Adjust the stop to that position and cut the second bevel. Once the stop is calibrated the rest of the sides go quickly. 16 boxes will need 192 cuts. For these boxes I saved time by cutting the lid grooves in the long stock before the stock was sliced into sides. Side Jig Second Cut The side pieces are dot marked to maintain grain direction. Designating the two pieces with three dots for handles makes the opening side exactly opposite the starting grain discontinuity. Rabbiting the lid plates and cutting off the handles is similar to the rectangular box procedure. Gluing the hex box is similar to gluing the pencil boxes but the assembly jig is different. It now has three sides, one adjustable to account for different sized boxes. People with six hands might not need the assembly jig. Adjustable Hex Box Assembly Jig This is the jig with a box nestled between the battens. It’s a dry fit with rubber bands. I use stronger bands cut from bicycle inner tubes for the real glue up. Hex Box Assembly Jig In Action These are the first couple of boxes made from construction pine during the debugging phase of the jigs. Cupped lid stock is more a problem with these than it was with the narrower pencil boxes. First Hex Boxes I made a number of boxes from Cherry. These two were specially done for the Beads of Courage project. Before slicing the sides, I glued on a beveled strip of Cherry at the top and bottom, and inset a small strip of Maple in the top edge. They are about 7″ wide. Beads of Courage Boxes in Cherry These are the sixteen boxes made for the club Christmas drive. Menards had glued up, 1x12x48″ Poplar panels on sale for5, I bought two. With careful measurement and calculations each panel made eight boxes.

Completed Run Sixteen Hexagonal Boxes

Update August 2018. Five boxes made for the Dupage Woodworkers fall Beads of Courage project. Cherry with strips of Aspen as accent.

Update September 2018. Trying a vertical pencil box design. I like it. Doesn’t take up so much room on your desk. If I make them a little bit longer, will be good to store spaghetti.

Crosscut sled not needed, just tilt the blade and use the fence. Gluing is easier because it’s all long grain but the top and bottom edges are now end grain which makes the lid slot weak. Each one of these used about 11 inches of a 1×6.

Vertical Pencil Box

Sliding Lid Pencil Boxes

## Motivation

In more than one episode of “The Woodwright’s Shop” Roy uses a gauge he calls an “Octoganizer”.  See this recent show at about 23 minutes in. He can mark a piece of square stock with the layout lines needed to plane off the four corners, creating an octagon. The tool has a pair of locating posts that straddle the work piece, and two scratch pins to mark the face.

These screen shots from the Woodwright’s 3613 episode show the antique Octagonizer and also Roy marking a stool leg blank. He made a point that the tool can follow a tapered leg blank.

Bottom side of the Octagonizer

Using the Octagonizer

Searching the internet reveals this is a common tool in the boat building business called a “Spar Gauge”. I don’t know what “Spar” is on a boat.  I thought it was something Texans carried in the back of their pickup. Many internet pages discuss methods of making this tool, here is one that uses a graphical method to locate the marking pins.

I decided to explore the concept and make one. Or two. Or three. It turns out one size doesn’t fit all.

## The Method

So exactly where do you drill for the scratch pins?

This is the necessary derivation:
In the following W = Width of stock, F = Width of a full facet, X = Width of an angled facet (to be removed).

Square stock layout

The full width W contains one full sized facet and two angled facets
$W = F + 2 * X$

Angled facets measure full width times the cosine of 45 degrees, which is $\frac{1}{\sqrt 2}$
$W = F + 2 * (F * \frac{1}{\sqrt 2})$
$W = F * (1 + \frac{2}{\sqrt 2})$
$W = F * (1 + \sqrt 2)$

Rearrange the last to solve for the full facet width:
$F = \frac {W}{1 + \sqrt 2}$
Plugging in the numbers and calculating gives:
$F = W * 0.4142$

But we really need to know X, the width of the angled facet, so we can mark the stock by measuring from an edge.
$X = F cos 45$
$X = \frac {W}{1 + \sqrt 2} * \frac {1}{\sqrt 2}$
$X = W * \frac {1}{\sqrt 2 + 2}$
Running that through my calculator gives:
$X = W * 0.2929$

So 0.2929 is the Magic Number!

Just to verify:
$0.2929 + 0.4142 + 0.2929 = 1$
Yes!

## Implementation

Locating posts on either side of the tool are a source of error because of their thickness. If the tool has to be skewed to a really steep angle, like using a four inch long Octagonizer to mark a half inch stick, the marks will be too close to the edge. In this exaggerated example with posts an inch in diameter, the scratch pins miss the thin board completely.

Error caused by post diameter

If the locating posts were infinitely thin this would not happen and the tool could always lay out an accurate octagon. Therefore we need to keep posts as small a diameter as practical and avoid steep skew angles. I’m going to use six penny nails for posts and eventually make several Octagonizers to accommodate projects of different widths. Practically though, for many uses octagon shapes don’t have to be perfect.

The Octagonizer I made doubles up on a 4 1/2″ piece of Osage Orange. The wide side will mark stock up to 3 3/4″ wide. I let the wide side scratch pins stick out on the side opposite the points, these form the locating posts for marking narrower stock up to 1 3/8″.

Dual Octagonizer front

Dual Octagonizer wide side

Dual Octagonizer narrow side

This photo shows the wide side marking a piece of 2 inch stock. I’ve enhanced the scratch marks with pencil for the photo.

Marking a blank with the Octagonizer wide side

I had a piece of Poplar about 1 1/4″ square, I marked it out with the Octagonizer’s narrow side. Here it is clamped corner to corner in the vise.

Planing a 1 1/4″ Poplar square into an octagon

The Poplar works down quickly. I left one facet uncut just to show how it works.

The first try, three facets planed

While working through the arithmetic to locate the six holes in this double sided tool, I had to carefully account for the radius of the nails. Six penny nails measured 0.116″ in diameter, not accounting for this would throw the accuracy off a lot. I sharpened the points before assembly by chucking the cut off nails in a battery powered drill, then gently spinning them against a grinding wheel. The points were tempered by heating them red hot, quenching in water, then cooking in a toaster oven for 20 minutes at 425 degrees. I used a machinists vise to press the nails through pre-drilled holes in the Osage Orange.

## Usage

In many cases you can set a marking gauge to Width times the Magic 0.2929, and just mark all eight lines with that.  If I had to make only one octagon I would use a marking gauge. If I had to make more than four, I might make an Octagonizer. A marking gauge will not encounter the error discussed in the previous section and you can lay out an octagon on a piece of stock any length, any width. It would not work though on tapered stock.

I plan to Octagonize a treated 4×4 for a porch support post.

Roy showed using the Octagonizer to lay out a tapered stool leg but laying out a short tapered octagon like a chisel handle, can also be done by marking both ends of a tapered blank, then using a straight edge to connect the dots. This is also a good method if you don’t want to see evidence of scratch marks.

## Plow Plane Arm Repair

Broken planes is a subject that comes up often in the Facebook Unplugged Woodworking group. Stripped threads are common on wooden planes that use threaded arms to position a fence. They usually break next to the arm’s foot as that is where the fence is most often needed.

This is my example, it will be my repair experiment. Years ago I demoted it to a kerfing plane by replacing both skates with a blade cut from an old rip saw. I screwed an inch and a half spacer block on the fence to skip over the defective threads, which worked, but is awkward and heavy.  I’m going to simply cut out the defective section, which will shorten the range of the plane, but who plows grooves six inches out anyway.

These are the two threaded arms. Each was made from a single piece of wood with a 3/4″ O.D. threaded section. The challenge is to securely and accurately splice the amputated threads back on the foot.

So my plan removes the stripped part, then makes a half inch round tenon on the end of the good threaded rod, with a matching half inch mortise in the foot. The two parts are reassembled with a 1/4-20 threaded steel rod pulling them together, I think it will be at least as strong as the original solid wood part.

Most of the work was done on my Delta DP-300 drill press on which I have carefully aligned the press table square to the quill.

The first task was to make a fixture to hold the threaded arm accurately aligned with my drill chuck. I had to file the hole in the drill press table a bit to get the threaded arm to pass up through easily from the bottom.

To make the alignment fixture, I screwed a bit of 2×4 to a piece of scrap, clamped that to the press table, then ran a 3/4 inch Forstner bit down as far as it would go, I had to finish the bore with a longer spade bit. I removed the drilled 2×4, cut a slot on the table saw, then installed two screws to help clamp the threaded arm in place. It did take a small amount of sanding to get the threaded arm to pass through.

This is the bottom of the fixture. Two screws hold the drilled 2×4, they are placed so they will not interfere with the clamping slot on the top side. It’s easy to align the fixture on the drill press table, insert the threaded arm from underneath through the hole in the table about half way into the fixture. Lower a 3/4 forstner bit into the top of the hole, lock the table, and set the clamps.

I sawed the stripped arm off about an eighth inch from the foot. That left an inch or so of threadless wood on the shaft to practice on. In fact, I used a piece of 3/4 dowel up in the fixture to make the first practice tenons.

The first operation is to drill down on the sawn face with the 3/4 Forstner bit. That leaves a center dimple and faces the end off square.

The mortise will be drilled with a Forstner bit so I made a half inch hole in a piece of hardwood scrap to test the size of the tenon. I believe this is called a Mullet.

I considered a few alternatives to make a tenon. Maybe a hole saw (too sloppy). I looked at a half inch plug cutter (would have to regrind the tip to get a shoulder). I decided to use a cheap circle cutter, which can be tuned and has an angled bit that would make a nice tapered seat. The inside of the bit is ground flat so it was easy to sharpen with diamond paddles, and the pilot drill is smaller than the #7 size needed to tap the hole. I also ground a relief angle on the inside of the cutter. It was not designed to make a clean cut on the inside, making an angle of 15-20 degrees away from the cutting edge helps a lot. You only need to grind the cutter up about a half inch from the bevel, leave it flat where the set screw clamps.

It was very difficult to set the diameter accurately. I hit on using feeler gauges to measure the gap between cutter and pilot drill. I would hold the cutter against the feelers and tighten the set screw, which allowed me to add or subtract a few thousandths from the tenon diameter in a controlled manner.

You have to lower the circle cutter onto the wooden shaft slowly, it’s difficult to see where the cutter is when the whole thing is spinning. After a half dozen practice cuts in the 3/4 dowel, I had a tenon that fit well in the test mortise. I set the bit depth so that the tenon is a quarter inch long when the body of the tool contacts the wood. And with the fixture, I’m sure the tenon is axially aligned with the chuck and the dowel.

I made one test tenon on the end of the threaded arm, then took a deep breath and sawed the bad part off, leaving about 3/8″ of the stripped area to make the final tenon.

Again, faced off the freshly sawn end with a Forstner bit. Then made the tenon with the circle cutter. It looked good.

The final operations on the truncated arm were to drill and tap a hole about an inch and a quarter deep. I had a couple of 3 inch machine screws to use, but threaded rod would be good also. I used a tapered tap and ground the end of the sawn off bolt to match, to allow a bit more wood where the bolt ends. The bolt was screwed in by tightening a couple of nuts on the protruding end so I could turn it with a wrench. I also cut small grooves in the tenon for possible glue squeeze out.

That completes the preparation of the tenon.

Now to create an accurately aligned matching mortise in the foot. The first step is to secure the separated foot in a good sized wooden clamp for machining. Don’t want fingers near that router bit. I used an engineers square to check that the surface that contacts the fence is exactly perpendicular to the drill press table.

Now lower and lock the quill, run the drill press to maximum RPM, and carefully rout the sawn surface flat. I did this in three shallow passes leaving about a sixteenth inch of the original shaft.

When this arm was originally made, the outside diameter of the threaded part was even with the sides and top of the foot. That made it fairly easy to find the center of the cut off with a marking gauge.

I center punched the foot and drilled an eighth inch pilot hole

clampclamp

Followed by a half inch Forstner bit in about 3/8 inch. The pilot hole was enlarged in three stages finishing with a #7 bit, appropriate for a 1/4-20 tap. I wanted to engage an inch of thread under the mortise so the hole was run in about 1 1/2″.

I had to create a tapered seat to match the tenon. I did this in the drill press with a counter sink bit.

The countersink chattered if it wasn’t fed very slowly but did a decent job. Actually I found it worked better to remove the drill press drive belt and turn the countersink by hand.

Next, the hole was tapped to a depth of about an inch and an eighth. I went through the full set of tapered, plug, and bottoming taps. To ensure the threads were accurate I make the first pass with the tap in the drill press chuck turned by hand. The plug and bottom taps were run in with a tap wrench.

The long threaded bolt was cut to have about an inch and an eighth protruding from the end of the arm.

The final test – will it go together? It did fit a little tight but the arm is parallel to the fence face as best as I can tell. The real test will be is the fence parallel to the plow skates after it’s put back together. That might be the subject of another web log post.

I brought the two parts into the house where it’s warm enough to apply liquid hide glue and screwed the arm home snug but not tight. Here is the repaired fence arm next to the unfixed second arm. You can hardly see where the two pieces are seamed together. The small piece is what was cut out of the bad threads.

The process was successfully repeated on the second arm.

Now the plane could be reassembled. I found the fence would no longer clear the body, so I make a couple of thin spacers to get clearance. I’ve added leather washers to the thin inside fence nuts so the minimum space between blade and fence is about 3/16″. I may tune the fence further at a later date but for now it appears to be parallel to the blade so is very usable.

I tried it out, set the fence to a quarter inch and it kerfs beautifully.

## Sliding Lid Pencil Boxes

“The Woodwright’s Shop”, Season 36, Episode 2 shows Roy Underhill’s method of quickly making many small wooden boxes for Christmas gifts.  The show is not really about boxes, but about jigs to make them.  I decided this would be a good project for the Dupage Woodworkers Club annual charity Christmas toy drive. Club members make a lot of toy cars which are most appropriate for boys. These boxes will appeal to girls or boys. I adapted the Woodwright’s ideas to mass produce boxes using a table saw, apologies to Roy, but my goal is to make 14 in a day.

### DISCLAIMER: Saws cut fingers as easily as wood. In many of these operations hands are very close to the blade. Pay attention, think through each cut before moving the wood,  and turn the saw off to clear chips. I will not be responsible if you injure yourself.

Small boxes can get away with mitered corners simply glued. Three things are necessary for a box to come together perfectly:

3. #### Mitered edges must be cut to a precise 45 degree angle

Given that standard pencils are 7 1/2 inches, the first boxes were designed for an inside dimension just under 8″. They are made from 1×3 stock from the local Home Center (really 3/4″ x 2 1/2″) resawn and planed to 5/16 thickness. I need 39 3/4 inches of stock to make one box and It’s possible to get fourteen out of three 8 foot boards. Dimensions are:

• Height: Full stock width 2 1/2″
• Front width: 2 7/8″
• Side length: 8 1/2″
• Top and bottom lid width: Full stock width 2 1/2″
• Top and bottom lid length: 8 1/8″

These dimensions were calculated to fit using 5/16″x2 1/2″ stock. See this paper for details.

The main tool is a table saw with a 3/32″ thin kerf blade to cut out the parts, and a standard 1/8″ thick blade to make the top and bottom grooves.  I resaw the 3/4″ thick boards with the thin blade. You could of course use a band saw but I don’t have one. Finally a lunch box planer cleans and thicknesses the resulting 5/16 stock.

You also need a miter gauge, or better (and safer) a crosscut sled, equipped with a flip down stop like this Rockler part. I made a stop from two pieces of hardwood scrap, two quarter inch bolts, and a makeshift T track.

I carefully adjust the fence to 90 degrees from the bar using an engineers square to satisfy the first rule above.

This is the dedicated crosscut sled I fabricated. A piece of half inch MDF core plywood and two pieces of leftover oak flooring. Did not take long to make, the critical things are the rear fence has to be flat and exactly perpendicular to the saw kerf. I used 3/4 inch pine for the two runners. The sled is now the only thing I’m using to cut the box miters. It is much easier to control than the extended saw gauge. I use the saw mitre gauge only for the vertical lid cuts.

This is a closer view of the flip stop. Placing the board against the rigid stop satisfies the second condition above.

And this is with the stop flipped up.

You also need a spacer block so you don’t have to reposition the flip stop to cut the shorter end pieces after cutting a longer side piece. The length of the spacer block is the difference between the long side and the shorter end pieces, 5 5/8″.

Because it takes time to set up each operation, every piece of stock is handled in parallel. In other words, if you are making 14 boxes from three 1″x3″x8′ boards, do step 1 on all boards before moving to step 2, do step 2 on all pieces before setting up step 3, etc.

1. all the 3/4″ boards are crosscut according to the cutlist
2. all the boards are resawn to half thickness
3. all boards planed to 5/16″
4. cut four mitered sides for every box
5. cut top and bottom plates for every box
6. cut grooves in each side to receive top and bottom
7. rabbit edges of each top and bottom plate
8. slice the half inch handle portion off the front piece

At that point you should be ready for glue.

Here is  a cut list for the project, also available as a PDF. It’s easier to resaw the 3/4″ stock if it is cut into shorter lengths.

I do the resaw in three passes, raising the blade about a half inch each time, ripping both top and bottom edges. I first check the blade for exact squareness using a Wixey digital angle gauge and set up a feather board. If my saw had a bigger motor I could do this in fewer passes.

I always try to move my lunchbox planer to the driveway when thicknessing stock so I can clean up the mess with a leaf blower.  Since these boxes are destined to be unfinished gifts for small children, it’s not necessary to do a perfect planing job but any snipe or defective spots should be marked to go to the inside surface. Actually, in this cold weather, I have been planing most of the resawn boards with hand planes. It goes quickly and warms me up.

Once the 5/16″ stock is ready, the first step is to mitre one end. The saw blade is tilted to 45 degrees measured with my digital Wixey (love that thing) to satisfy the third condition above, and raised through an aluminum insert for zero clearance.  Note this is a left tilt saw.

Stock is positioned on the right side and aligned using the tilted fence kerf to cut the first bevel. The stop is lowered and adjusted for this set of boxes so the outside measurement to the blade is 8 1/2″.

Move the stock to the left side and make the second cut by holding it against the lowered flip stop. This completes the first long side.

Raise the stop, return the stock to the right side, and make a new initial bevel as before. The cutlist measurements are tight so it’s necessary to cut exactly on the previous bevel line.

For the second cut the spacer block is placed against the flip stop to create a 2 7/8″ end piece.

Repeat the above two operations to create another long side and another short end piece.  Cutting out the four sides of a box takes only a couple of minutes once the initial setup is done.

Cutting box sides sequentially from a single board lets the wood grain wrap around three of the four corners, a nice touch. To make that possible, the box has to be ultimately glued up in the same order as it was cut.  Turn the pieces in order bevel side up and mark each beveled edge with it’s mate. If you make marks on the bevel near the center, they won’t show when the box is assembled.  Use a dark Sharpie so you can see the dots through a layer of glue, (but not too dark, I found sometimes the Sharpie bleeds through to the outside face). In this photo, see a one dot corner and a two dot corner for box #5. Note how the grain flows through the three pieces.

Care in squaring the fence, setting the blade angle, and using a solid flip stop is rewarded with perfectly closed corner joints.

Finish the six box components by cutting out two plates for the top and bottom. Return the thin kerf blade to vertical, adjust the stop for an 8 1/8″ cut and make two pieces. That little bit is all that’s left over from one of the 40 inch boards.

Here are four box kits ready for grooving.

Next, set up the table saw to do eighth inch deep grooves at the top and bottom of each side piece. The same setup can be used to make eighth inch rabbits around the top and bottom plates.  I use a 1/8″ brass setup bar to help set the saw to just over 1/8″ height and spaced 1/8″ from the fence. The blade in the photo is one side of a Freud dado stack. It makes a clean cut and has the correct width.

Roy’s video shows cutting the groove before slicing off the beveled side pieces. With the table saw it’s easier to do this after the sides are cut out.

Here I am grooving a long side using a push block.

Grooving the short side. Have to be extra careful where you put your fingers.

Now all four sides of each top and bottom plate get rabbited. You need an eighth inch tongue on each edge that makes a sliding fit in the groove around the box sides. It may take some fine adjusting of the spacing between saw fence and blade to get the fit just right. The plate should slide easily in the groove but not rattle around.

Hold the pieces vertically, pushing them across the saw blade. Cutting the tongue with a single eighth inch blade leaves a thin sliver of material on the inside edge of the top and bottom pieces. You can eliminate that by adding a second Dado blade on the saw arbor to make a kerf wide enough to remove all the wood.  Or just break off the sliver.

Here I have added a tall fence to help guide the lid plates, and I’m using a push block for the end grain cuts. Even with the push block, the piece tends to wobble and cut unevenly, so I usually make two passes to make sure the rabbit is full depth. It’s best to do the short edges first, then the long edges.

Rabbiting the long side is straight forward. Again, fingers are close to the blade so extra care is needed.

The final milling step is to mark and slice one of the ends off a half inch down. I do this in an old fashioned wooden miter box with a saw that makes a fairly thin kerf. Pick the end that has the grain wrapping around both sides, this should be the end piece with one dot and two dots. You can clamp a stop block inside the miter box to speed things up if there are many boxes to cut.

Here is a completed set of pencil box components.

Finally the glue up which takes more time than cutting out the parts. Use a long open time adhesive like Liquid Hide Glue or Titebond III. I apply with an acid brush that has half it’s bristles clipped off to make it stiffer.

Here’s all my gluing tools. Bottle cap to hold a puddle of Titebond or LHG, wood stick wrapped with damp towel to clean grooves, cut down acid brush, burnisher to close corners, thin snap knife to cut lid handle free if it’s gotten stuck from squeeze out. The tools are sitting in a two sided tray I use to hold the box while assembling the parts.

Roy says to rubber band the parts so I made Red Neck glue clamps from something I have a lot of, punctured bicycle inner tubes.  Just slit a length of tube top and bottom. They will stretch about 25% so make the slit an inch or so shorter than the box. It helps if you use the two sided tray to corral the box parts while you’re stretching the rubber over the outside.

A 45 degree miter will be half end grain. To get good adhesion, I paint glue on the bevels in two stages,  I give each a first coat to fill the wood pores, then after a minute, another coat to do the joining.  Try not to get glue in the corners of the eighth inch grooves, it will stick the lid plates in place and you don’t want that. Make a groove cleaning tool by folding a damp paper shop towel around the end of a putty knife. Do NOT apply glue to the bevel area at the box front where the half inch handle will go.

Put the box together by inserting the top and bottom plates in the two long side pieces first (watching those Sharpie dots), then press on the end pieces. The half inch handle is not glued at this time but do put it in place to help shape the rest of the box.  Apply two Red Neck rubber band clamps, then fuss the side corners to get good miter alignment.  Also check that the miter joints are aligned vertically so the top and bottom edges are all in the same plane.  It doesn’t take much of a vertical mis alignment to make the sliding lid hard to seat. Finally check with a small square to see if the corners are 90 degrees.

Allow a few minutes for the glue to take hold, then pull the half inch handle off.  Slide the top plate out. If it won’t budge, you have squeeze out on the back corners. Get a pair of pliers and wiggle the lid until it lets go. Now apply glue to the end of the lid that will receive the handle. Press the handle on to the end of the top plate, centering it on the plate and clean up any squeeze out on the bevels.  Place one or two thicknesses of paper towel in the groove at the rear of the box top. This will force the lid plate into the handle groove. Push plate and handle back into the box against the paper towel, making sure the handle seats properly against the box sides. Slide the rubber band up over the handle.

Remove the Red Neck clamps the next morning, sand off any glue squeeze out, and lightly break sharp corners and edges with fine sandpaper. If there are any gaps in the miters, you may be able to close them by burnishing the two edges. The lid should slide smoothly. If it doesn’t, tune with sandpaper or a shoulder plane. For extra credit, plane the top and bottom edges flat. I use a 5 1//4 for this, the bed is long enough to use the opposite side of the box as a reference surface.

This has been a very satisfying project. Thanks to Roy Underhill for the inspiration. Here is the first crop in Poplar and Pine from Menards cut off bin.

Update 12/26/16

I had a few of the lids stick hard due to squeeze out in the back corners. Had to pull them out with pliers which runs the risk of damaging the wood. Now I’m nipping about 1/3 of each corner off with a chisel which gives squeeze out a place to go. I don’t nip the front corners of the top lid where it will be fitted to the handle piece.

Update 2/1/17
I typed up the page of arithmetic for sizing the box parts. Also made a spread sheet to do the calculations. All this and more is in this zip archive.

Update 2/11/2017
Trying an alternate design. These 4″ x 4″ x 4″ cubes are each made from a 24 inch piece of 4″ by 5/16″ stock which was ripped and resawn from a 1×10. Since the sides are square, I don’t need a spacer. Also learning more about Titebond Liquid Hide Glue, you do need to paint on two coats or the joint will be weak. And I’ve found that a small amount of warp is tolerable, because cutting the stock into short pieces means the warp in each piece is small. Warp can complicate resawing though, and if the board is cupped, you will have trouble with the glueup. A cupped board will not allow an accurate miter unless it’s forced down flat on the crosscut sled.

I made these 12 in one afternoon, glueups were done the following morning in the house where it’s warmer. I cut up my last bicycle inner tube to make shorter redneck clamps, using a paper punch to make a hole at the ends of each slit which should reduce strain at that point.

### Update 2/20/2017

Revised some photos and text to emphasize use of a crosscut sled. It really does work better.

### Update 4/3/2017

Nineteen pencil box sized “kits”. This batch was made from steeply discounted lumber and will bring my count to 110 boxes. I think that’s enough, I’m running out of places to put them.When I go through the production process I line up all the box parts on the bench to keep them together. After the last operation each is rubber banded into a package ready for glue. It’s still too cold to work liquid hide glue in my garage so these will be finished in the house.

And here are the 19 pencil boxes assembled, sanded and ready to go.

Also built several mongrels out of scrap. Making a box from bits of different boards has it’s own set of problems. I’m keeping these two and applying three coats of Watco oil.

### Update 5/13/2017

I can’t stop making these things. Over 130 now. This batch is mostly mongrels, made from scraps but the four cubes on the right came from a single 24 inch 1×10 from Menards’ cut-off pile. The board was was \$1.75 so less than 50 cents per box.  Two Cherry cubes on the right have a center divider, both lids slide open. I’m keeping and finishing that nice grained Yellow Pine bottom center, and some of the Cherry boxes.

### Update 11/18/2017

I’m presenting my methods to the Dupage County Woodworkers Club next week and since I can’t fit a table saw into my car, have created a slide show.

The miter sled is upgraded to a real TTrack and there is a different setup for making the grooves. The calculations are now done with a spreadsheet.

### Update 05/17/2018

The spring 2018 episode 35 video from Highland Woodworking, about 22 minutes in, shows Doug Stowe creating mitered corner boxes using a crosscut sled and spacer block in a manner similar to mine. His method does not require a flip stop though.

## Frame and Panel Construction – Part 1: The Panel

These WordPress pages document my method of constructing a frame and raised panel door. I need to make a pair of these about 30″ x 18″ each to replace an ugly entrance to the crawl space in my home. Each door will be a single solid Pine panel, the frame will be about 2 inches wide with molding on the inside edge.

One episode of “The Woodwright’s Shop” contributed to my panel raising techniques. “Raising Panel-Zona” describes several methods, though my tools don’t match Roy’s.

I have a small panel raising plane. It is unusual in that it has an adjustable fence, there is no nicker and no flat area near the fence, the cut is beveled all the way to the edge of the work. It may have had some other use in the past but it works for panel raising. I have since added brass strips at the main wear points.

Making a cabinet door usually proceeds by constructing the outside frame to fit the target opening, then creating a panel to fit the frame. I have a number of frames made as practice exercises for a real job closing off the crawl space in my house. These were all based on square blanks cut from a length of 1×8 select pine from Home Depot. I used up all the spare lumber so for this weblog post I glued up some scraps and trimmed to 7 1/4 square.

Panel blank glued up and trimmed to size

The panel will have a quarter inch tenon all around the edges that seats inside a groove plowed around the inside edges of the frame. The first step is to define this tenon edge by measuring the frame face to groove distance so the panel  will be flush with the frame. Subsequent operations will remove wood down to these lines. I darken the marked lines with pencil.

Mark the tenon edges on the panel blank

The panel raising plane fence has been set to an “about here looks right” distance from the cutter tip. I’m measuring this horizontal distance carefully, maintaining the angle of the bevel.

Measuring horizontal length of the bevel cut

I will be defining the inside line of the raised area using a cutting gauge. This is necessary, especially on the cross grain sides because the plane does not have a nicker. Here I transfer the measurement from the previous step to the gauge.

Transfer bevel dimension to cutting gauge

Cut the gauge lines deeply into all four sides of the panel blank.

Cutting bevel extent lines

Here I have darkened the lines with pencil.

Bevel lines darkened

One hand tool principle I have learned well is to remove as much material as you can with the blade that is easiest to sharpen. I block plane off wood down to about 1/16 inch from my two lines.

Removing waste wood

Now the panel raising plane does it’s work, starting with the cross grain edges. This plane works well across the grain because it has a steeply skewed blade. Which also means it is hard to sharpen.

Using the panel raising plane

Raising the center creates a shadow line which makes the panel look a bit smaller and lighter.

The final step is rabbiting the back of the panel to the line. This M-F 85 has the fence set to cut a quarter inch wide relief and the depth stop set to stop at my line. Since the raised portion of the panel is angled, the edge tenon is tapered so I will make this a little less than a quarter inch thick to make it easier to fit the frame groove.

Rabbiting the back side

The finished panel came out fairly well though I had trouble with the panel raising plane. I believe the blade is not bedding flat inside the body which causes the blade to flex slightly and chatter. The wedge also loosens too easily which causes the blade to fall out. I’m working on it.

Finished panel

And it does fit the frame. See how all those shadow lines make the panel look like something other than a flat board.

Finished panel fitted in frame

## Frame and Panel Construction – Part 2: The Frame

These two WordPress pages document my method of constructing a frame and raised panel door. I need to make a pair of these about 30″ x 18″ to replace an ugly entrance to the crawl space in my home. Each door will be a single solid Pine panel, the frame will be about 2 inches wide with an Ovolo molding on the inside edge. An Ovolo is a quarter round with a small step. It creates a shadow line around the inside of the frame which softens the edge visually.

Completed practice panel

Another goal is to, as much as possible, use only hand tools in the project. A few years ago I acquired a small panel raising plane at an estate sale and it’s time to put it to work. This photo shows some of the tools used in creating a frame.

Hand tools used in frame construction

Three episodes of “The Woodwright’s Shop” contributed to my techniques.
Raising Panel-Zona” describes several methods of making a raised panel.
Painless Panel Doors” where Roy constructs a mortise and tenon frame.
Simple Sash Restoration” shows how to join a frame with molding around the inside.

To understand and practice the procedure I’ve made several small framed raised panels. These will find their way into a box or maybe a lamp sometime in the future. This procedure builds a frame to house a pre-constructed panel though usually the frame will be built first, made to fit an existing opening, then a panel constructed to fit.

This, the second page of my frame and panel series describes the frame construction.  It turns out that making the frame, with a molded inside edge, is harder than building the raised panel.

My practice raised panels were cut from 1×8 pine, resulting in a 7 1/4″ square panel. The frame begins with two 10 3/4″ rails and two 11″ stiles cut from a pine 1×4 ripped down the middle.The stiles are longer than needed to make them more likely to survive the mortise chisel.

The raised panels have a centerline mark so the first step is to mark a centerline as an alignment reference on the frame pieces.

Center line used as reference

The stiles and rails are inspected. the best sides marked as face, and a position in the frame picked and marked.

Two stiles, two rails with face sides marked

The panel with grain vertical, and both rails are turned bottom up and aligned with the center marks. Four tenon shoulders must be located on the rails. These are aligned with the inside edge of the panel back rabbit but an allowance should be made for the panel expanding across the grain in humid conditions. I use a thick steel ruler as a spacer which results in about 1/32 inch extra. The 12 inch ruler is flexible and bent down so it butts up tight against the rabbit. Both left and right side tenon shoulders are marked on the rails. They are knifed later.

Marking for rail shoulders

On the face side, the tenon shoulder is a quarter inch farther out to allow for coping the molded edge. Here the back side line has been extended up the rails side and I used a 1/4″ brass spacer to locate the face side shoulder.

Quarter inch spacer defining face shoulder

This shows the offset shoulder laid out. The face and rear shoulder lines will be knifed to help with accurate sawing, the short side lines are not knifed.

Rail tenon offset to allow coping

My practice raised panels varied a bit in depth so here I am checking the distance between panel top surface and the bottom of the rear rabbit. Ideally the distance between the top surface of the panel and the bottom of the rear rabbit groove will be 9/16″ which will allow 1/4″ panel raise, 1/4″ panel edge thickness, and 1/16″ for the Ovolo molding.

Measure for tenon depth

Set the mortise gauge outside pin to exactly the depth measured above.  The separation between the two pins is set to exactly the width of my quarter inch mortise chisel.

Set bottom pin of tenon gauge

Tenons are marked with the mortise gauge then penciled in lightly. Note here the face side line is scratched shorter that the rear side because of the offset shoulder.

Tenons outlined with pencil

Now to cut the tenon cheeks. As Roy shows, part from one side, part from the other, then clamp the rail vertical and saw down to the shoulder line.

Sawing tenon shoulders

Before the tenon shoulders are cut free, a groove to receive the panel is cut with a plow plane. The depth stop is set for 5/16″ a little deeper than the panel rabbit, we don’t want it to bottom out. he plane fence is carefully adjusted so the groove runs right down the center of the tenon.

Plowing the rail groove

Once the groove is done it’s checked for depth with vernier calipers. A dry fit of the raised panel confirms the groove.

Panel dry fit in freshly cut groove

Next the tenon shoulders are cut off. A bench hook supports the rail while sawing.

Removing tenon shoulders

The frame groove defines the inside extent of the tenon but the outside is marked 3/8″ in from the edge. The cut will not go all the way to the offset tenon shoulder, it stops about 1/8 inch from the shoulder to create a haunch. The haunch fills excess space in the stile groove and it will be trimmed later to fit exactly.

Gauge outside tenon edge

I’m using a fine tooth dovetail saw to cut the outside of the tenon. It is important that the inside and outside edges be parallel but precise width is not critical. Saw in at the haunch then cut vertically on the line.

Sawing outside tenon edge

With the outside wood removed, these start to look like real tenons.  In this photo you can see the offset top shoulder and the short haunch left.

Sawn tenons with haunch stub

Nobody’s perfect and my tenon sawing technique needs a lot more practice. In the meantime I made a jig so I could true up the sawn surfaces with a router plane. I cleaned each face until the tenons measured exactly 1/4″ with my calipers. This also ensures that all four tenons are the same depth from the rail faces. The jig is just two pieces of 3/4″ MDF clamped to the table top with a machine screw. They support the router plane while it’s doing it’s thing.

Tuning tenons

Now the completed tenon outlines have to be transferred to the rails to define the matching mortises. I dry fit the grooved rails to the panel and lay that assembly on the rails. Everything is rear side up in this photo and the rails are aligned with the panel using the center line marks.

Dry fit to locate mortises

The tenons lay flat on the blank rails making it easy to mark where the mortise edges will go.

Transferring tenon edges to rail

Here you can see both tenon edges are traced on to the rails.

Tenon edges traced onto rails

I use an engineering square to bring the marked mortise edge lines around to the sides of the stiles. Then the mortise gauge defines the sides.

Gaugeing mortise sides

Pencil in the gauge lines and the stiles are ready for the mortise chisel.

Marked mortise locations

My mortise chopping technique is straight from Roy’s video. Chop from the far end to near going deeper with each eighth inch increment, reverse the chisel and chop back near end to far. Straighten the edges and in this soft pine you will be half way through. Turn the stile over and repeat, chopping all the way through.

Chopping one side of a mortise

I

I use an engineers square to check for true inside edges. Trim with the mortise chisel if not.

Checking straightness of mortise edges

Once the mortises are cut and dry fit successfully, I plow a groove in the stile. If all measurements were good, the groove will go through the center of both mortises.

Plowing a groove in a stile

This is a face side dry fit of all four joints. It’s looking like a real frame now. If the tenon shoulders were carefully cut, it will be square.

Dry fit to check squareness

Molding the inside edges starts with cutting a thin rabbit on the inside edge. I use a Miller Falls 85 for this with the fence set to a quarter inch width and the depth stop is set to 1/16″. This should leave a quarter inch square shoulder on the inside which will be rounded over.

Planing board set up to rebate

It took about a dozen strokes with the rabbit plane to make the 1/16 inch step.

Rabbit plane defining Ovolo

In this photo you can see the shadow line created by the small rabbit.

Small rebate defines Ovolo

To begin the Ovolo round over, I chamfer the edge with a block plane. This makes it easier for the molding plane as much of the wood is already removed. It’s a woodworking principle to always use the tool with an easily sharpened blade first.

Roughing in the Ovolo shape

I have this small hollow plane, it has a 5/16 cutter. The round edge is smaller so it takes some fussing and finally a few swipes with sandpaper to get the curve correct.

Hollow plane smoothing Ovolo molding

When all four pieces are molded, the frame is dry fitted and the edge of the rails Ovolo step carefully transferred to the stile.  I also transfer the outside edge of the rail to the stile but since the end (horn) of the stile will ultimately be cut off, that’s not really necessary. The molded edge between the two marks is removed.

Marking stile molding for removal

I carefully chisel out the molding of the stile between the marks. The rail’s longer tenon shoulder will fit into this recess.

Removing stile molding

The next step is to cope the rounded molding on the rail. It will fit over the stile molding and give the illusion of a 45 degree miter. This procedure is right out of “Simple Sash Restoration” and begins by using a template to precisely miter the corner of the rail molding.

Trimming rail molding with miter template

A close up of the mitered rail molding.

Mitered rail molding

Now the mitered bit is coped. a small scribing gouge is used to remove the wood visible when you look straight down at the miter. This gouge is a little too big for this job but it’s all I have.

Coping the rail molding

This photo shows the coped corner.

Close up of coped Ovolo

The coped joint is dry fit and trimmed to fit closely. Trimming might require fine tuning the cope, planing one of the tenon shoulders, and trimming the haunch. Sometimes it helps to undercut the shoulders a bit. If the shoulders were planed, check the assembly for square afterwards.

Dry fit coped Ovolo

Success is a dry fit of all four joints with no gaps.

Dry fit all four pieces

With the panel inserted you can see what the final product will look like. Since the whole reason for separate frame and panel construction is to allow the panel to move a bit, the panel must be finished before the assembly is glued up. Finishing the glued up frame would be easier but would risk an unfinished line appearing at the panel’s long grain edges in dry weather.

Panel inserted – front

The back side doesn’t show anyway but the rear of the assembled frame and panel should be flat if everything was done correctly. The protruding horns on the stiles and tenon stubs will be sawn off and planed smooth after the final glue up.

Panel inserted – rear